An authoritative and intelligent portrait of the global spread of authoritarianism and its dangers.
A distinguished fellow at the Carnegie Endowment for International Peace sounds an alarm about the worldwide rise of authoritarian leaders.
After arguing in The End of Power that global institutions are finding it harder to win respect, Naím, the former editor-in-chief of Foreign Policy, makes a good case that leaders who gain power increasingly use autocratic strategies he calls the 3Ps: “populism, polarization, and post-truth.” His thesis isn’t new, but what sets his work apart from books like Timothy Snyder’s On Tyranny and Michiko Kakutani’s The Death of Truth is its unusually comprehensive armada of facts about the international drift over the past two decades toward authoritarian leaders, whether old-style dictators like Kim Jong Un or nominally elected presidents like Vladimir Putin. The pandemic has posed unprecedented openings for power grabs: Xi Jinping cracked down on ethnic Uyghurs in China, Viktor Orbán shut down Parliament in Hungary, Rodrigo Duterte was granted near-unlimited emergency powers in the Philippines, and other countries have seen similarly repressive moves. In one of many startling but well-documented examples, Naím notes that a European Union report found that Russia used social media bots “to try to worsen the crisis the pandemic would generate for its adversaries in Europe,” typically by undermining confidence in democracies’ emergency response. Other tactics used for years by Russia—along with North Korea, Venezuela, and Saudi Arabia—include the creation of GONGOs, government-operated fake NGOs, to thwart the work of democracies. Naím’s solutions to the new authoritarianism tend toward blue-sky visions, and his repeated use of the term “3P autocrats” is perhaps too clever for his urgent message (as in the Disney-fied chapter title “The 3P Autocrats Go Global”). But his book offers a chilling confirmation of a trend many readers will have sensed instinctively: A growing number of countries have achieved or are moving toward “outright kakistocracy: rule by the very worst a society has to offer.”
An authoritative and intelligent portrait of the global spread of authoritarianism and its dangers.Pub Date: Feb. 22, 2022
ISBN: 978-1-250-27920-0
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Dec. 28, 2021
Kirkus Reviews Issue: Feb. 1, 2022
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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