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ANGELICA

FOR LOVE AND COUNTRY IN A TIME OF REVOLUTION

A brisk and vivid history.

A woman navigates revolution.

Making an engaging book debut, Beer recounts the eventful life of Angelica Schuyler Church (1756-1814), the eldest of eight children born into a wealthy and influential Dutch family. Her mother was a van Rensselaer; her family tree included Livingstons and van Cortlandts. Like other aristocratic colonial families, hers owned slaves, an unquestioned economic necessity even for those who cried out for liberty. Contradictions and roiling politics defined her life: She was 19 when the colonies petitioned for independence, and her father, Philip Schuyler, soon became a commander of the Continental Army. Their Albany home became a meeting place for leaders of the revolution. As Angelica witnessed upheaval around her, she boldly upended her life. Although her family hoped she would marry a man of her class and means, she became attracted to John Carter, an English émigré, a man with “languid blue eyes and passionate political opinions.” He had no family connections, no estate or hope of one, and no fortune, to all of which her parents objected. Faced with the choice of submitting to parental authority or rebelling, she made a fateful decision. She and Carter eloped. She learned that Carter had changed his name from Church to avoid paying creditors after he went bankrupt in England; his later financial success supplying American and French troops made it possible for him to repay his debts and reclaim his name. Angelica Carter became Mrs. Church. In Boston, Newport, Paris, and London, she moved in the same aristocratic circles into which she was born. Benjamin Franklin and Thomas Jefferson were close friends in Paris; her brother-in-law was Alexander Hamilton. She was godmother to his daughter. Beer draws on abundant archival sources to portray a shrewd, observant woman whose perspective affords a fresh look at her times.

A brisk and vivid history.

Pub Date: tomorrow

ISBN: 9781324050216

Page Count: 352

Publisher: Norton

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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