Jong-Fast is the Joan Rivers for slackers: she delights in pushing the boundaries of libel only to retreat, all in the...
From the author of the debut novel Normal Girl (2000): shallow, neurotic, very funny essays that continue to milk the writer’s relations to famous mother Erica Jong and grandfather Howard Fast.
“I knew I was going to have to prostitute this experience,” Jong-Fast acknowledges by way of mock apology for dishing the dirt on the famous people she encounters during her years of growing up, “and pretty much everything else that’s ever happened to me.” Straightaway, she dispenses with niceties: she loves lying, is “mildly maladjusted,” greedy for publicity, “somewhat self-obsessed,” and shamelessly devoted to name-dropping, especially dropping her own family’s names if that can win her food or flattery. When she first meets the new girl and future supermodel Sophie Dahl at the tony Manhattan Day School, her opening line is “Do you know who my mom is?” Some of the sacred cows Jong-Fast relishes butchering include her grandfather Howie (a novelist jailed in the ’50s for refusing to name names before HUAC; now, in his eighties, he’s marrying his forty-year-old secretary—“The bride wore a white suit. The groom wore Depends”); the various unsavory boyfriends of her mother, the so-called Queen of Erotica; the shrinks her mother employed to help the husky Molly slim down; and family friend Joan Collins, who commits the horrific faux pas of announcing that thirteen-year-old Molly was “too fat to go on Valentino’s yacht,” thus ensuring ten more years of therapy. Jong-Fast is sarcastic but not stupid, and she wields an acid pen—the “muumuu-wearing fascist” psychiatrist to the stars who helps her lose weight is dubbed “Adolf Hitler,” and one in the succession of dubious secretaries for her mom at their home on East 94th Street is “Marie Osmond,” for her “incredible value system.”
Jong-Fast is the Joan Rivers for slackers: she delights in pushing the boundaries of libel only to retreat, all in the spirit of good clean fun. After all, what else does she have to write about?Pub Date: April 12, 2005
ISBN: 1-4000-6144-X
Page Count: 208
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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