A satisfying family story that weaves together cultural practices and intergenerational connections.
A spunky introduction to the origin and customs of Japan’s Star Festival.
Keiko, a young Japanese girl, is so excited to experience her fifth Tanabata Matsuri, which will also be her grandmother’s 85th. Her mother tries to help Keiko behave, but Oba understands Keiko’s bright enthusiasm. Together they all dress up in summer kimonos, put on their geta (one of the sandals falls off of Keiko’s foot), and make their way to the festival. Oba recounts the folktale behind the festival, in which two stars fell in love and neglected their duties, causing the Emperor of the Heavens to prevent them from seeing each other. At the festival, Keiko marvels at the taiko drums, streamers, and slippery noodles. Suddenly, Mama notices that Oba is missing! The merry chaos of the festival impedes Mama and Keiko as they frantically search. When at last they reunite, they share the wishes they have made and return home after an eventful day. Themes from the folk story are woven into this family tale, the expressive text seamlessly incorporating Japanese words into the narrative and dialogue. Backmatter includes the story of Tanabata Matsuri as well as information about food, decorations, and instructions on creating a tanzaku for wish making. The warm, rich palette alternates between deep hues of blue and red and more muted pastels, with a particularly eye-catching spread of fireworks.
A satisfying family story that weaves together cultural practices and intergenerational connections. (Picture book. 4-7)Pub Date: April 1, 2021
ISBN: 978-0-8075-7595-6
Page Count: 32
Publisher: Whitman
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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