by John U. Bacon ‧ RELEASE DATE: Nov. 7, 2017
An absorbing history of disaster and survival.
A history of the destruction of a Canadian city by an explosion as powerful as a nuclear weapon.
In 1917, the thriving seaport of Halifax, Nova Scotia, was leveled by a munitions explosion of unprecedented force when two ships collided in the city’s harbor. One carried 2,925 tons of high explosives; 494 steel drums of combustible airplane fuel; 250 tons of TNT; and 2,366 tons of the unstable, poisonous chemical picric acid, even more powerful than TNT. The ship was bound for France via Halifax as part of a convoy, the better to avoid German U-boats, until miscalculations ended in a devastating “awkward, dangerous dance.” Synthesizing locally published sources, a family archive, and World War I histories, Bacon (Endzone: The Rise, Fall, and Return of Michigan Football, 2015, etc.) documents the terrifying incident in vivid detail: events leading up to the ships’ arrival; a capsule history of Halifax and a reprise of the start of World War I; the nail-biting collision; and its gruesome, horrific aftermath. Fires blazed, fueled not only by the explosives, but by overturned stoves and furnaces in homes; shock waves blasted out windows, spewing glass; railroad tracks were thrown up, factories crushed, wooden houses reduced to kindling. A tsunami, created by the air waves, quickly followed. Many who survived the conflagration were caught in the undertow and drowned. The explosion, Bacon writes, “destroyed 6,000 buildings, rendering 25,000 people—almost half the population of Halifax—homeless in one-ear-splitting whoosh” and killed 1,600 instantly. Corpses, many dismembered or burned beyond recognition, were scattered everywhere. Survivors at first assumed that the city had been attacked by Germans; years later, trials revealed the culpability of the ships’ captains. When word spread—by telegram—to other Canadian cities and to Nova Scotia’s American neighbors, help was immediate and generous. Boston, especially well-prepared because of the war, sent doctors, nurses, medical supplies, and many millions of dollars in aid. Since 1976, Boston’s annual Christmas tree has been a gift of thanks from Halifax.
An absorbing history of disaster and survival.Pub Date: Nov. 7, 2017
ISBN: 978-0-06-266653-6
Page Count: 464
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 18, 2017
Kirkus Reviews Issue: Oct. 1, 2017
HISTORY | MILITARY | WORLD | GENERAL HISTORY
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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