by M.T. Edvardsson ; translated by Rachel Willson-Broyles ‧ RELEASE DATE: June 13, 2023
An angst-ridden but finally weak thriller.
When a wealthy heiress and her husband are found dead in their mansion in the city of Lund, Sweden, a web of deception is discovered to underlie not only their lives, but those of the people whose fates intersect with theirs.
This dark, claustrophobic novel opens with a matter-of-fact police report: “The blinds are down, and all lights are off. Against the wall is a bed with a headboard. On the bed is another dead body.” The woman downstairs has died of a head injury, the man upstairs, of a drug overdose. Could this be a double murder, staged to look like murder-suicide? The truth emerges incrementally and obliquely in a sinuous narrative that focuses mainly on two young women whose distinctive voices lend the novel some badly needed credibility. Both are students; Karla Larsson makes money cleaning houses, while Jennica Jungstedt moonlights as a psychic adviser. “Does it make you feel less alone to call it something else?” Jennica is asked by Steven Rytter, a charming older man she meets on Tinder. She insists on using the term living solo. But such distinctions dissolve when that first date turns into a storybook romance rich in champagne and roses. Karla, meanwhile, happens to be the person employed to clean Steven’s already immaculate house. “Steven’s a doctor and works almost all the time,” she learns. “His wife just lies around sleeping, totally zonked on drugs.” That’s not the story Steven tells Jennica, of course. Then again, he is just one liar among many here—as the novel’s intersecting narratives and brief transcripts of police interrogations attest. The suspense introduced in the early chapters, however, wears thin as the author introduces one too many subplots and fails to stage a convincing denouement.
An angst-ridden but finally weak thriller.Pub Date: June 13, 2023
ISBN: 9781250204622
Page Count: 384
Publisher: Celadon Books
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
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BOOK REVIEW
by M.T. Edvardsson ; translated by Rachel Willson-Broyles
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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77
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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