edited by Myra Cohn Livingston & illustrated by Leonard Everett Fisher ‧ RELEASE DATE: Oct. 15, 1992
Seventeen poems on whales, interestingly varied in tone though somewhat uneven in quality. Beginning with Ciardi's humorous explanation of ``Why Noah Praised the Whale'' (he didn't have to feed it) and several other amusing entries, the collection moves on to mothers and babies, whale songs (Yolen's ``Sea Canary''), some Native American verse about hunting, and a somber conclusion: di Pasquale's ``Stranding,'' Tony Johnston's ``Beached,'' and Lilian Moore's ``The Whale Ghost'' (``When we've emptied/the sea of the/last great/whale...''). The five specially commissioned poems are among the weakest (the muse is never easy to command). Still, as a whole, this is an effective and thoughtful tribute, with Fisher's handsome full-bleed paintings as a noble complement to the verse: the huge, streamlined whales and the subtle contrasts between their rich, dark hues and the deep undersea blue-greens are wonderfully suited to his monumental style and elegantly simple compositions. (Poetry/Picture book. 7+)
Pub Date: Oct. 15, 1992
ISBN: 0-8234-0940-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
Share your opinion of this book
More by Myra Cohn Livingston
BOOK REVIEW
by Myra Cohn Livingston & illustrated by Will Hillenbrand
BOOK REVIEW
edited by Myra Cohn Livingston
BOOK REVIEW
by Myra Cohn Livingston & illustrated by Kees de Kiefte
by Jacqueline Woodson ‧ RELEASE DATE: Jan. 1, 2003
Don’t let anyone miss this.
Count on award-winning Woodson (Visiting Day, p. 1403, etc.) to present readers with a moving, lyrical, and completely convincing novel in verse.
Eleven-year-old Lonnie (“Locomotion”) starts his poem book for school by getting it all down fast: “This whole book’s a poem ’cause every time I try to / tell the whole story my mind goes Be quiet! / Only it’s not my mind’s voice, / it’s Miss Edna’s over and over and over / Be quiet! . . . So this whole book’s a poem because poetry’s short and / this whole book’s a poem ’cause Ms. Marcus says / write it down before it leaves your brain.” Lonnie tells readers more, little by little, about his foster mother Miss Edna, his teacher Ms. Marcus, his classmates, and the fire that killed his parents and separated him from his sister. Slowly, his gift for observing people and writing it down lets him start to love new people again, and to widen his world from the nugget of tragedy that it was. Woodson nails Lonnie’s voice from the start, and lets him express himself through images and thoughts that vibrate in the different kinds of lines he puts down. He tends to free verse, but is sometimes assigned a certain form by Ms. Marcus. (“Today’s a bad day / Is that haiku? Do I look / like I even care?”) As in her prose novels, Woodson’s created a character whose presence you can feel like they were sitting next to you. And with this first novel-in-verse for her, Lonnie will sit by many readers and teach them to see like he does, “This day is already putting all kinds of words / in your head / and breaking them up into lines / and making the lines into pictures in your mind.”
Don’t let anyone miss this. (Fiction. 9-13)Pub Date: Jan. 1, 2003
ISBN: 0-399-23115-3
Page Count: 128
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2002
Share your opinion of this book
More by Jacqueline Woodson
BOOK REVIEW
BOOK REVIEW
by Jacqueline Woodson ; illustrated by Leo Espinosa
BOOK REVIEW
by Jacqueline Woodson ; illustrated by Rafael López
by Gwendolyn Brooks & illustrated by Faith Ringgold ‧ RELEASE DATE: Jan. 1, 2007
Brooks’s gloriously universal celebration of African-American childhood here receives a respectful and joyous treatment from one of the pre-eminent illustrators of the same. Readers coming to “Narcissa,” “Beulah at Church” and “Marie Lucille” for the first time will discover them accompanied by Ringgold’s trademark folk-art interpretations, the expressive brown figures depicted for the most part as vignettes against bright backgrounds. They show a Bronzeville that bustles with activity, single-family homes sharing the streets with apartment buildings and the occasional vacant lot. The children run, braids and arms out straight, and contemplate in turns, their exuberance tempered by the solemnity of childhood. While it’s regrettable that occasionally the specificity of the illustration robs a verse of its universality—the “special place” referenced in “Keziah” is shown to be underneath the kitchen table, for instance—the overall ebullience of the images more than compensates. There is a drop of truth in every single playful, piercing stanza, and anything that brings these poems to a new audience is to be cheered; a lovely package indeed. (Picture book/poetry. 7+)
Pub Date: Jan. 1, 2007
ISBN: 0-06-029505-8
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
Share your opinion of this book
More About This Book
IN THE NEWS
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.