by Naoki Higashida ; translated by KA Yoshida ; David Mitchell ‧ RELEASE DATE: Aug. 27, 2013
Anyone struggling to understand autism will be grateful for the book and translation.
A 13-year-old Japanese author illuminates his autism from within, making a connection with those who find the condition frustrating, mysterious or impenetrable.
For the renowned novelist David Mitchell, who provides the introduction and collaborated on the translation, this book is “a revelatory godsend.” The father of a young autistic son, Mitchell had never felt well-served by books written by others who provided care for the autistic or by more scholarly analyses of the condition. The book takes the form of a series of straightforward questions followed by answers that are typically no longer than a couple of paragraphs or pages. “We really badly want you to understand what’s going on inside our hearts and minds,” writes Higashida. “And basically, my feelings are pretty much the same as yours.” He describes the difficulty of expressing through words what the brain wants to say, the challenge of focusing and ordering experience, the obsessiveness of repetition, the comfort found in actions that others might find odd, and the frustration of being the source of others’ frustration. “We don’t obsess over certain things because we like it, or because we want to,” he writes. “People with autism obsess over certain things because we’d go crazy if we didn’t. By performing whatever action it is, we feel a bit soothed and calmed down.” In addition to demystifying his condition and translating his experience, the author intersperses some short fables and a concluding short story that shows remarkable empathy and imagination, as the death of an autistic boy leaves a family transformed. “[Higashida] says that he aspires to be a writer, but it’s obvious to me that he already is one,” writes Mitchell.
Anyone struggling to understand autism will be grateful for the book and translation.Pub Date: Aug. 27, 2013
ISBN: 978-0812994865
Page Count: 192
Publisher: Random House
Review Posted Online: June 19, 2013
Kirkus Reviews Issue: July 1, 2013
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by Naoki Higashida ; translated by KA Yoshida & David Mitchell
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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