An atmospheric, romantic tale: of the sea, which "will take what it wants and keep what it has taken"; of a captain's widow who (truly forsaking all others) has been waiting 30 years for a sign from her drowned husband; of the old woman's son who fled in his youth from the treacherous sea—and perhaps from his mother's indifference; and of the granddaughter, also named Geneva, who goes to help when Gram breaks her ankle and who thus becomes involved in her desperate nightly search along the shore. There's another character too, named Seward, but only the two Genevas can see him or his footprints as he prowls the shore in the sea's employ, hoping to find the "sign" before Gram does so that he can return it according to the bargain he made with the sea when he was drowning years before. It was Seward who told Gram that the swallowed ships, with "all the poor drowned sailors," are kept at the bottom of the sea to guard its treasures, and that her husband was down there struggling to send her some sort of token. And when young Geneva retrieves from the waves the wooden figurehead carved in Gram's image long ago, it is Seward who warns that the sea will have it back because "the ship can't see without its eyes." But Gram is stubborn and it takes a hurricane to wrest it from her—and her son's arrival at the crucial moment to save her from drowning. This fortuitous last undercuts the seriousness of the tale, and there is more to come. Also, unlike Tuck Everlasting (which also had more life and incident), the plot of . . . the Amaryllis is somewhat precariously based—on a notion (the drowned treasure patrol) that is just not compelling enough for the elemental magnitude of the struggle. Still, as Babbit projects it, Gram's devotion—whether steadfast or obsessive—has its fascination.
Pub Date: Nov. 1, 1977
ISBN: 0312370083
Page Count: 150
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1977
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Full of puzzles to think about, puns to groan at and references to children’s book titles, this solid, tightly plotted read...
When a lock-in becomes a reality game, 12-year-old Kyle Keeley and his friends use library resources to find their way out of Alexandriaville’s new public library.
The author of numerous mysteries for children and adults turns his hand to a puzzle adventure with great success. Starting with the premise that billionaire game-maker Luigi Lemoncello has donated a fortune to building a library in a town that went without for 12 years, Grabenstein cleverly uses the tools of board and video games—hints and tricks and escape hatches—to enhance this intricate and suspenseful story. Twelve 12-year-old winners of an essay contest get to be the first to see the new facility and, as a bonus, to play his new escape game. Lemoncello’s gratitude to the library of his childhood extends to providing a helpful holographic image of his 1968 librarian, but his modern version also includes changing video screens, touch-screen computers in the reading desks and an Electronic Learning Center as well as floor-to-ceiling bookshelves stretching up three stories. Although the characters, from gamer Kyle to schemer Charles Chiltington, are lightly developed, the benefits of pooling strengths to work together are clear.
Full of puzzles to think about, puns to groan at and references to children’s book titles, this solid, tightly plotted read is a winner for readers and game-players alike. (Mystery. 9-13)Pub Date: June 25, 2013
ISBN: 978-0-375-87089-7
Page Count: 304
Publisher: Random House
Review Posted Online: April 2, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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