An homage navigated with confidence and care, as wise and wonderful as the original.
This 50th-anniversary celebration of a literally timeless classic brings Babbitt’s novel to life in a graphic novel format.
Sticking closely to the storyline as she visually fleshes out its themes and characters, Woodman-Maynard serves up a sensitive reworking that invites readers to think about what they would do if they were given the choice between a normal, finite life and an endless one. It’s a choice that lonely, 10-year-old Winnie Foster is left to make after she meets the Tucks (who stopped aging after drinking from a hidden spring near her house 87 years before) and hears their perspectives on what it’s like to watch everyone and everything they know change and die. The woodsy, small-town setting and the white-presenting cast—from exuberant, ever-17-year-old Jesse Tuck and his resigned mother, Mae, to the distinctively angular villain known only as “the man in the yellow suit,” and even a certain significant golden toad—are beautifully realized in the finely drawn watercolors. Along with incorporating atmospheric expository lines from the book into her scenes, the artist tucks in pinwheels and other circular imagery to evoke what melancholy father Angus Tuck describes as the ever-moving wheel of life and death: “You can’t have living without dying. So you can’t call it living, what we got.” The book closes with a conversation between Babbitt’s daughter, Lucy, and the adapter, as well as illuminating photos and process notes.
An homage navigated with confidence and care, as wise and wonderful as the original. (Graphic fantasy. 10-14)Pub Date: Sept. 2, 2025
ISBN: 9780374391850
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
SEEN & HEARD
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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