by Natalie Kinsey-Warnock & illustrated by Cat Bowman Smith ‧ RELEASE DATE: Sept. 1, 1991
Long plagued by Aden, a relentless bully, Mason is so taken aback when the older boy suddenly retrieves a drawing that Mason has made for his father (it has blown onto dangerously thin ice) that he doesn't even thank him. Mason's father is a wise, kind man who has explained to Mason that Aden's character is a response to his own abusive father; Aden's single generous act is motivated by his observation that Mason's father is ``real gentle with [horses]. Didn't beat `em or anything.'' Before Mason can follow up his new insights, Aden goes off to WWI. News of his death and of the Armistice arrive together, leaving Mason to make peace with himself by taking a more charitable attitude toward Ira, his little brother. It's unusual for an author to follow an ordinary beginning with such a strong conclusion. The circumstances here—the bullied boy passing on the contempt he endures, the conscientiously described period details of farm life in Vermont, are clearly presented but predictable. Still, they serve their purpose well, setting the scene for the dramatic incident on the ice, Mason's subsequent confusion and grief, a touching encounter with Aden's mother, and his eventual reconciliation with little Ira. A fine early chapter book by the author of The Canada Geese Quilt (1989). Illustrations not seen. (Fiction. 7-11)*justify no*
Pub Date: Sept. 1, 1991
ISBN: 0-525-65074-1
Page Count: 80
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
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by Natalie Kinsey-Warnock & illustrated by Emily Arnold McCully
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by Natalie Kinsey-Warnock & illustrated by Mary Azarian
by Julia Alvarez ‧ RELEASE DATE: March 1, 2001
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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by Monalisa DeGross & illustrated by Cheryl Hanna ‧ RELEASE DATE: June 30, 1994
Donavan's friends collect buttons and marbles, but he collects words. ``NUTRITION,'' ``BALLYHOO,'' ``ABRACADABRA''—these and other words are safely stored on slips of paper in a jar. As it fills, Donavan sees a storage problem developing and, after soliciting advice from his teacher and family, solves it himself: Visiting his grandma at a senior citizens' apartment house, he settles a tenants' argument by pulling the word ``COMPROMISE'' from his jar and, feeling ``as if the sun had come out inside him,'' discovers the satisfaction of giving his words away. Appealingly detailed b&w illustrations depict Donavan and his grandma as African-Americans. This Baltimore librarian's first book is sure to whet readers' appetites for words, and may even start them on their own savory collections. (Fiction. 8-11)
Pub Date: June 30, 1994
ISBN: 0-06-020190-8
Page Count: 72
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
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by Monalisa DeGross & illustrated by Amy Bates
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