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HOW TO SAY GOODBYE IN ROBOT

Surprising everyone at their private school, a sardonic loner befriends the new girl in this unusual story of an intense platonic relationship between two misfits. Dubbed a robot by her emotionally unstable mother after she fails to manifest sufficient heartbreak over the death of their gerbil, Bea meets pale, withdrawn Jonah, maliciously called “Ghost Boy” by their peers. Almost immediately, she realizes that she has more in common with Jonah than with the catty, insular girls that surround her and begins to rely increasingly heavily on him even as she discovers more about his tragically strange past. Standiford has crafted a darkly whimsical tale filled with details that will be recognizable to teens truly existing on the fringe, complete with references to John Waters films and outsider musician Daniel Johnston. Bea’s original first-person voice will draw readers in, and the unexpected plot will keep them engaged. A decidedly purposeful not-love story, this has all the makings of a cult hit with a flavor similar to Stephen Chbosky’s The Perks of Being a Wallflower (1999). (Fiction. 12 & up)

Pub Date: Oct. 1, 2009

ISBN: 978-0-545-10708-2

Page Count: 288

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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HAZELTHORN

A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.

A family’s secrets rise to the surface as a young man investigates a suspected murder.

Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.

A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)

Pub Date: Oct. 28, 2025

ISBN: 9781250376299

Page Count: 368

Publisher: Feiwel & Friends

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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