Despite occasionally clumsy exposition, Higher goes a long way toward doing justice to its fascinating subject.
Bascomb debuts with a lively account of how three great New York City skyscrapers were built at the end of the Roaring Twenties.
The author begins with portraits of two architects, William Van Alen and Craig Severence, former partners who became bitter rivals. Van Alen was the partnership’s creative heart, trained in Paris and imbued with the modernist spirit. Severence was the consummate businessman, constantly networking in search of the next big commission. Breaking up in 1924, just as the skyscraper was becoming the symbol of preeminence in business and the economy seemed to be on an endless upward spiral, the erstwhile friends by 1929 were executing rival commissions to build the tallest building in the world. Severence’s backers were Old Money, with conservative tastes and a building plot at 40 Wall Street, at the center of the financial district. Van Alen’s patron was self-made automobile tycoon Walter Chrysler, willing to spend whatever it took to erect his personal monument at 42nd and Lexington. The two architects openly sought the “world's highest” crown, each altering their designs several times in order to top the other. In the end, Chrysler and Van Alen won. But neither had taken into account the plans of John J. Raskob, who headed a corporation with defeated presidential candidate Al Smith as its spokesman. One of Chrysler’s fiercest rivals, Raskob acquired the Fifth Avenue site of the Waldorf Astoria for a skyscraper destined to become the epitome of its kind: the Empire State Building, completed in 1931. Bascomb puts all three projects vividly in context, giving broad overviews of the times as well as detailed portraits of the men who designed, financed, and constructed the three buildings even as the crash of 1929 took all the sweetness out of their triumphs.
Despite occasionally clumsy exposition, Higher goes a long way toward doing justice to its fascinating subject.Pub Date: Oct. 21, 2003
ISBN: 0-385-50660-0
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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