Although Stephenson credits the hard-boiled detective novels of James Crumley as the spiritual spark plug for this antic thriller, these adventures of an ultrahip sleuth who tracks ecological crooks owe more to the comic iconoclasm of Richard Farina and William Kotzwinkle—and the immature campus high jinks of Stephenson's own The Big U (1984)—than to Crumley's knowing, semitragic ironies. Narrator Sangamon Taylor, "the granola James Bond," is the resident gumshoe of GEE, a Greenspeace clone based in Boston and dedicated to nonviolent sabotage of polluting companies. A self-styled "professional asshole," late-20s Taylor dresses like a slob, struts his self-righteousness like a badge, and lists nitrous oxide as his drug of choice. Fortunately, he also spins a funny, cocky, engaging rap as he tells of his battle with the villainous Basco company—a battle catalyzed by his find that lobsters in Boston Harbor are packed with PCBs, legacy of an illegal 1956 dumping by Basco. A nighttime boat duel with Basco's goons—Sangamon on his trusty Zodiac raft, the heavies on a smuggler's Cigarette speedster—and a daytime showdown in Basco's boardroom plunges Sangamon into hot water as Basco frames him as a terrorist bomber, sending him on the run. Hiding out in Maine, Sangamon joins forces with a real, world-class terrorist; after they make national news by foiling an assassination attempt on Basco's owner by a polluted Basco employee, they return to Boston to tackle the Big Problem: in trying to cover up its PCB dumping, Basco has loosed a gene-spliced organism that threatens to convert all the salt in the sea to organic chlorine. A violent confrontation in Boston Harbor (on an island of garbage inhabited by fans of a satanic heavy-metal band), a tense brush with a lethal Navy SEAL, and a "mediagenic" assault on a Basco ship loaded with pollutants end this manic tale. Stephenson's high-octane narration, drenched in environmental lore, grabs from start to finish despite its cloying smugness; a likely hit in college/cult circles, this book—with film rights already sold—may entice a wider readership as well.
Pub Date: May 26, 1988
ISBN: 1596062487
Page Count: 308
Publisher: Atlantic Monthly
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: April 15, 1988
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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