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THE ORIGINAL

A slippery, captivating tale that doubles as a portrait of a complicated, indelibly queer past.

The supposed reappearance of a long-lost cousin throws a young art copyist’s life into disarray in 1899 England.

Narrator Grace has been a guest at bleak Inderwick Hall since the age of 9, when her mentally ill parents were institutionalized. With no money of her own, Grace lives at the behest of her aunt, who shows her no particular fondness. She struggles with face blindness—which she attempts to conceal out of embarrassment—and knows that the feelings she “had about women were the feelings men had about women,” which she conceals out of self-preservation. Her singular chance at security and independence lies in her skill at painting. While Grace is hopeless when it comes to original works, she can paint excellent forgeries, which she has started selling to fraudulent art dealers under her aunt’s nose. Into this cloistered life comes what may be a walking, talking forgery: a man claiming to be Grace’s cousin, Charles, who was presumed dead after having disappeared at sea years prior. A delicate cat-and-mouse game between the possible cousins follows, which interrogates the secrets we keep from ourselves and others and the fraught relationship between love and money. Stevens’ second novel—after Briefly, A Delicious Life (2022)—retains its predecessor’s lyricism and insight into the nooks and crannies of human nature, but is even more propulsive. The short interludes on the nature of copies that are peppered through the book (for example, “When we fall in love with a person, we fall in love with the copy of them, inexpertly done, that we carry around with us whenever they aren’t there”) are particularly effective and affecting. Any comparison to Sarah Waters is well earned; readers will be on tenterhooks.

A slippery, captivating tale that doubles as a portrait of a complicated, indelibly queer past.

Pub Date: July 1, 2025

ISBN: 9781324110699

Page Count: 320

Publisher: Norton

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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