While the book occasionally lacks direction, readers will find comfort in the fact that Victorian stories are usually...
Two stories intersect 150 years apart in this unusual historical memoir.
Completing her doctorate in Victorian literature, Stevens (Bleaker House, 2017, etc.) chose to focus on the work of Elizabeth Gaskell, a close friend of Charlotte Brontë who was tasked with writing her biography. Studying Gaskell with uninhibited obsession, she quickly noticed the parallels between her life and that of her subject. “I had never encountered a writer who could fill a page so entirely with herself….I was caught up in her life almost instantly,” writes Stevens. Just as Gaskell’s book, The Life of Charlotte Brontë, was due for publication, she escaped to Rome to avoid any criticism of her work. Ultimately, Gaskell’s book “took two years to write and more pain and worry than you could possibly have anticipated. There were so many people to insult….There were so many people, you said, whom you wanted to libel.” In the process, Gaskell met the love of her life, the notorious critic Charles Eliot Norton. This escape was a trigger for Stevens, who, in 2013, began devouring her letters and imagining what her life must have been like. Meanwhile, Stevens was also dealing with her one true love, Max, who was elusive and reluctant to own up to his feelings. Stevens weaves a text that oscillates between the late 1850s and the mid-2000s, systemically identifying parallels between her and Gaskell’s respective romantic lives and underlining the different roles women played in these two very different societies. Though the result is an interesting and beautifully written contrast, the intention behind the book remains unclear, and readers may feel adrift at certain points.
While the book occasionally lacks direction, readers will find comfort in the fact that Victorian stories are usually entertaining, and Stevens knows how to tell her own with literary punch.Pub Date: Aug. 7, 2018
ISBN: 978-0-385-54350-7
Page Count: 272
Publisher: Doubleday
Review Posted Online: May 6, 2018
Kirkus Reviews Issue: June 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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