A reluctant princess is thrust into deadly political intrigue in Perry’s sweeping, high-stakes romantasy.

Odessa is the overlooked and underestimated princess of Quentis, whose life takes an unexpected turn when a deal is struck between her father and the formidable Turan warriors force her into an arranged marriage with their enigmatic prince, Zavier Wolfe. Intended as a mere formality to secure trade routes and military alliances, the betrothal spirals into something far more dangerous when ancient magic, a ruthless Guardian, and a looming war threaten to upend everything she knows. Finally emerging from the shadow of her seemingly perfect half sister, Mae, Odessa must navigate court politics, monstrous creatures, and her own uncertain place in a world where survival often depends on strategy rather than strength. As tensions rise, she finds herself entangled with the dangerous, enigmatic Guardian—a man whose silver eyes hold secrets of their own. Perry’s worldbuilding is lush and immersive, crafting a kingdom rife with old magic, deadly beasts, and political machinations that add depth. The pacing is relentless, carrying Odessa from one life-altering event to another as she grapples with duty, defiance, and a destiny she never chose. Her internal conflict is compelling, torn between the expectations placed upon her and the fierce independence that threatens to make her an outcast in her own kingdom. Romance simmers as Odessa struggles to reconcile her obligations with her growing attraction to the Guardian, whose past is as shadowed as his reputation. Mae is introduced as Odessa’s political foil, and although her presence drives much of Odessa’s internal drama—being constantly overshadowed or underestimated—she’s mostly seen through Odessa’s perspective. Her motivations, ambitions, and political maneuverings might have benefited from deeper exploration to give more nuance to the power dynamics. However, Perry’s evocative prose and intricate plotting make for a gripping tale. Readers looking for a slow-burn romantasy with rich political intrigue and a protagonist forced to create her own fate will find much to enjoy.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.