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IN THE HOUSE OF THE INTERPRETER

A MEMOIR

An inspiring story of a young man determined to excel and escape.

Kenyan writer and professor wa Thiong’o (English and Comparative Literature/Univ. of California, Irvine) offers a second harrowing volume of memoir, a sequel to his Dreams in a Time of War (2010).

The author begins in 1955, when he had just completed his first term of boarding school and returned home to find…no home. His village was destroyed, and his family was relocated. Right from the outset, then, the themes of dislocation, fear and random violence and terror emerge. His older brother sided with the anti-colonials and was eventually captured, then released; the author was imprisoned, not long after his graduation—a random detention that culminated in the 1959 trial that concludes this book. Wa Thiong’o highlights his family and friends, but also the dominant presence of the school principal, Edward Carey Francis, who appears as a strong, principled but enormously complex character whom the author both feared and revered. School became a revelation, as the author plunged into the library, reading indiscriminately at first (he loved Sherlock Holmes, was troubled by the literature of empire). Excelling in the classroom, he submitted a story for publication in the school journal (it was accepted), and he participated in the school’s annual Shakespeare production. The author also writes about his dawning spiritual and religious life (he became an extraordinarily devout Christian, then began to question) and about his ineptness at sports. He preferred table tennis and chess to soccer and field hockey. Throughout, he fittingly refers to school as his “sanctuary,” for the place shielded him from the Mau Mau Uprising and other regional and continental crises.

An inspiring story of a young man determined to excel and escape.

Pub Date: Nov. 8, 2012

ISBN: 978-0-307-90769-1

Page Count: 256

Publisher: Pantheon

Review Posted Online: Aug. 28, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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