An absorbing, if sometimes excessive, study of the banality of evil.
In Cold Blood meets Less Than Zero, Roman style, in a fact-based novel about a notorious 2016 murder.
Though the victim, 23-year-old mechanic Luca Varani, was bludgeoned with a hammer and stabbed with knives over two hours by his assailants, the barbarism of the attack was less noteworthy than the absence of any apparent reason for it. Manuel Foffo, 29, a successful event organizer, and Marco Prato, 29, a failed university student and son of a restaurateur, were hardly killer types. However nasty their intentions were with Luca, who supplemented his income as a gay prostitute, they didn’t plan on subjecting him to more than a “fake rape.” But after ingesting massive amounts of cocaine and alcohol, which they shared with the victim, they gave in to their darkest impulses, killing him just to see what it was like. Lagioia deeply researched the story, using testimony from the largely unreliable main characters as well as friends and family of all three men. He sees the killers and their victim as products of difficult childhoods as well as the rot and despair of a rat-infested Rome, in which “you breathed a tense, angry air that could inspire imprudent behavior.” Most of the novel acts as a prelude to descriptions of the gory murder scene, which is recounted late in the book. Rather than provide a Rashōmon-like complexity to the narrative, all the contrasting views of Manuel, Marco, and Luca tend to bog things down. The author of the Strega Prize–winning novel Ferocity (2017) and host of a podcast based on the Varani murder, Lagioia makes brief appearances as himself in the role of interviewer. He's more effective in that role than in dispensing grand bits of philosophy: “No human being measures up to the tragedies that befall him.”
An absorbing, if sometimes excessive, study of the banality of evil.Pub Date: Oct. 3, 2023
ISBN: 9781609458317
Page Count: 432
Publisher: Europa Editions
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
BOOK REVIEW
Come for the forensics, stay for the nonhumans.
A Christmas bout between Kay Scarpetta and the Phantom Slasher.
But first, Scarpetta, Virginia’s chief medical examiner, has to figure out how software designer Rowdy O’Leary died. Fished from the Potomac River on Christmas Eve six years after a hit-and-run driver left him permanently disabled and a week after he plunked down the cash for a pricey emerald ring, he fell off his fishing perch and drowned—or did he? Scarpetta’s examination of his body is cut short by two disturbing developments: the discovery of an unidentified woman’s remains buried on the grounds of Mercy Psychiatric Hospital, and celebrity TV reporter Dana Diletti’s report that the red-eyed ghost associated with the Slasher’s three murders has floated through the window of her home. She’s got video, too, and the apparition looks real and scary. The final blow to Scarpetta’s plans for a Christmas getaway with her husband, Secret Service forensic psychologist Benton Wesley, is an attack on an Alexandria home that kills Mercy psychiatrist Georgine Duvall, who used to treat Scarpetta’s niece, Lucy Farinelli, and nearly kills graduate student Zain Willard, White House intern and nephew of presidential candidate Sen. Calvin Willard. This time the Slasher’s ghost has been spotted on the scene by none other than Pete Marino, head of investigations for the medical examiner’s office and Scarpetta’s longtime sidekick. Cornwell’s use of Robbie, Zain’s robotic dog, and Janet, Lucy’s AI companion, integrates the futuristic elements she favors more successfully than in her recent outings. But the solutions to all these mysteries will leave fans of the venerable franchise pursing their lips rather than gasping in awe.
Come for the forensics, stay for the nonhumans.Pub Date: Oct. 7, 2025
ISBN: 9781538773963
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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