by Norton Juster & illustrated by Leonard Baskin ‧ RELEASE DATE: Nov. 20, 1992
A leisurely, philosophical tale that first appeared as the title story in a 1965 collection. Alberic is a competent farmer, neither happy nor sad, with no particular opinion of the skills he uses to maintain himself. A passing stranger who speaks eloquently of the world's wonders stirs him to action, and he sets out to become a glassmaker, but after two years he ``fails'': he has learned much, but his work is not beautiful. For years, he masters one craft after another but is never a success in his own eyes or anyone else's until suddenly his accumulated knowledge is noticed and he's judged to be wise—a reputation his honest best efforts fail to dispel until he dumbfounds his new admirers by leaving his honors and setting out once more: ``It is much better to look for what I may never find than to find what I do not really want.'' Baskin (Hosie's Alphabet, 1973 Caldecott Honor) contributes subtle, elegantly designed portraits and architectural vignettes, rich in unusual color contrasts, with a mature, intellectual tone suggesting that—like many of Barry Moser's books—this will be most enjoyed by YAs and adults. Still, this long, ironic fable may also appeal to young people who enjoy the apt use of language, especially admirers of Juster's classic The Phantom Tollbooth. Handsome, gracefully written, and eminently discussable. (Fiction. 10+)
Pub Date: Nov. 20, 1992
ISBN: 0-88708-243-2
Page Count: 28
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1992
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IN THE NEWS
by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Francesco D’Adamo ‧ RELEASE DATE: Nov. 1, 2003
This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)
Pub Date: Nov. 1, 2003
ISBN: 0-689-85445-5
Page Count: 128
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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