by Olga Tokarczuk ; translated by Jennifer Croft ‧ RELEASE DATE: Feb. 1, 2022
A massive achievement that will intrigue and baffle readers for years to come.
Awards & Accolades
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2022
Kirkus Prize
finalist
New York Times Bestseller
IndieBound Bestseller
NBCC Gregg Barrios Book in Translation Prize Finalist
A charismatic figure traverses Europe, followers in tow.
The latest novel by the Polish Nobel Prize winner to appear in English is a behemoth, both in size and subject matter: At nearly 1,000 pages, the book tackles the mysteries of heresy and faith, organized religion and splinter sects, 18th-century Polish and Lithuanian history, and some of the finer points of cabalist and Hasidic theology. At its center is the historical figure Jacob Frank, who, in the mid-1750s, was believed to be the Messiah by a segment of Jews in what is now Ukraine. Jacob preached that the end times had come and that morality, as embodied by the Ten Commandments, had been turned on its head. He led his followers to convert first to Islam and then, later, to Christianity. He himself was accused of heresy by all three major groups. Tokarczuk’s account is made up of short sections that alternate among various points of view. These include some of Jacob’s followers, a bishop with a gambling problem, a noblewoman who self-interestedly supports the “Contra-Talmudists’ ” attempt to convert to Christianity, and Jacob’s grandmother Yente, who is neither dead nor entirely alive, a state that allows her consciousness to roam widely, observing the novel’s action. Gritty details about the realities of daily life at the time alternate with dense passages in which Jacob’s followers argue about theology. “The struggle is about leaving behind that point where we divide everything into evil and good,” one says, “light and darkness, getting rid of all those foolish divisions and from there starting a new order all over again.” The book (which has been beautifully translated into English by Croft) has been widely hailed as Tokarczuk’s magnum opus, and it will likely take years, if not decades, to begin to unravel its rich complexities.
A massive achievement that will intrigue and baffle readers for years to come.Pub Date: Feb. 1, 2022
ISBN: 978-0-593-08748-0
Page Count: 992
Publisher: Riverhead
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Share your opinion of this book
More by Olga Tokarczuk
BOOK REVIEW
by Olga Tokarczuk ; translated by Antonia Lloyd-Jones
BOOK REVIEW
by Olga Tokarczuk ; translated by Antonia Lloyd-Jones
BOOK REVIEW
by Olga Tokarczuk ; translated by Jennifer Croft
More About This Book
PERSPECTIVES
PERSPECTIVES
by Mitch Albom ‧ RELEASE DATE: Oct. 7, 2025
Have tissues ready as you read this. A small package will do.
Awards & Accolades
Likes
14
Our Verdict
GET IT
New York Times Bestseller
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
Share your opinion of this book
More by Mitch Albom
BOOK REVIEW
by Mitch Albom
BOOK REVIEW
by Mitch Albom
BOOK REVIEW
by Mitch Albom
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
Awards & Accolades
Likes
44
Our Verdict
GET IT
New York Times Bestseller
IndieBound Bestseller
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
Share your opinion of this book
More by Richard Wright
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More About This Book
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.