Though straining in spots, it has the offbeat, sweet style Jeffers’ fans know and love.
An adult and child gather tools and prepare for a future together.
Some things they build are rife with symbolism, such as a shelter to store what they value (including some “love” they set aside) and futures they build for each other, depicted as a series of items in blue and pink waves that spring from a wristwatch. Others are more concrete, like the fortress they build to repel “enemies,” whom they later invite in for tea and apologies. Some of what they build is fantastical (a road to the moon). The book is dedicated to the author’s daughter and is considered a companion piece to Here We Are, published in 2017 and dedicated to his son, though the pair here could still be interpreted as having a different type of caretaker-child relationship. Camaraderie between the two is the thematic focus in this affectionate narrative. Portions of the text’s meaning are somewhat vague (the two lie next to a fire that will “keep us warm like when we’re born”), and the rhyming text, with moments of inconsistent meter, occasionally feels forced. Jeffers fills the pages with an odd, giggle-inducing assortment of creatures; the duo’s former foes include a one-eyed pirate, a witch, a Viking, and (in a very poorly timed choice) a white-coated doctor with a surgical mask, and there are a friendly octopus and birds in space helmets. Adult and child both present White. (This book was reviewed digitally with 11-by-19-inch double-page spreads viewed at actual size.)
Though straining in spots, it has the offbeat, sweet style Jeffers’ fans know and love. (Picture book. 4-9)Pub Date: Oct. 6, 2020
ISBN: 978-0-593-20675-1
Page Count: 48
Publisher: Philomel
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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