Knowing, touching and true.
This exceptional first novel from Casares (Stories: Brownsville, 2002) chronicles a Mexican-American road trip.
In a Texas border town, two estranged brothers live mere miles apart. Don Fidencio, in his 90s, is the quintessential cantankerous old man. His grumbling provides comic relief from the pain he experiences at Amigoland, the nursing home in which his daughter and son-in-law (“The Son of a Bitch”) placed him and from which he is continually plotting his escape. Fidencio’s younger brother, Don Celestino, fills his empty retirement with a love affair with Socorro, a woman more than 30 years his junior. When the brothers reunite, Fidencio commands his younger sibling to take him on a road trip to the family’s old estate in Mexico. In an attempt to get closer to Celestino and reunite his broken family, Socorro convinces him to fulfill his brother’s wish. She comes along too, and the motley crew sets off across the border. Casares has a talent for dialogue. The characters are neither good nor bad, but refreshingly real, and sudden shifts in perspective allow readers to empathize with each one. His portrait of the endearing, complicated love between Celestino and Socorro offers a welcome and uncommon exploration of passion in old age. Simultaneously, pitch-perfect prose charts the brothers’ evolving, improving relationship. Casares allows his characters to embrace what they can become without forcing them to lose who they are. The book grapples with what it means to live on the border. Language, folklore and food all reinforce the paradox that the dividing line between Mexico and America is both real and fluid. In a dusty brown town, the journey of these three ordinary people provides a splash of color and spirit.
Knowing, touching and true.Pub Date: Aug. 10, 2009
ISBN: 978-0-316-15969-2
Page Count: 368
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2009
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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