A warm, cozy counterpoint to Karma Wilson and Jane Chapman’s Bear Snores On (2002) but without the “Again! Again!”...
While all bears grow heavy-eyed in the winter, some little cubs—like some little humans—are too anxious to sleep.
Elliott can’t quite catch a wink when his mother bear tells him it’s time to nap until spring. He misses the season too much—and he’s impatient for it to come. He tries again and again to lull himself to sleep (changing his position, fluffing the bark strips, plumping up his pine-needle pillow), but nothing works. He is “Still. Wide. Awake”—a pleasing refrain. When he starts seeing scary shadows, Elliott turns to his mother for comfort. She instructs him to look closer to see the signs of spring. Sure enough, Elliott sees a “brave bud” growing in the snow, and he decides that if spring is asleep, he may as well sleep too. The refrain, poetic imagery, and well-paced sentences make this a smooth read-aloud. Yet it’s a bit too text-heavy—explaining too much at times when the art could do the heavy lifting. Kim’s soft, digitally colored graphite pencil illustrations evoke the comfort of the winter cave. The endpapers, featuring slice-of-life depictions of fall and spring, are a fitting frame.
A warm, cozy counterpoint to Karma Wilson and Jane Chapman’s Bear Snores On (2002) but without the “Again! Again!” readability. (Picture book. 3-6)Pub Date: Jan. 2, 2018
ISBN: 978-0-06-235603-1
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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