by Patricia MacLachlan ; illustrated by Micha Archer ‧ RELEASE DATE: Nov. 8, 2022
A quiet, deeply satisfying celebration of the turn of the year and the joy of community.
A young woman harnesses two Percheron horses for a magical sleigh ride on New Year’s Eve.
Archer’s signature scenes set the mood with snowy fields dotted with groupings of trees; an illustration of one of the trees features graceful limbs encircled with collaged images of music notes. Readers follow sheep and Jenny into the barn at dusk as she leads the strong, black horses to the sleigh, attaches bells to their bridles, and turns on the lights outlining four rows of seats. MacLachlan, deftly crafting her narrative with a minimum of well-chosen words, provides the sensory details. Text is presented in blocks of free verse: “The breaths of Tim and / Tom make silver clouds. / The sleigh makes a / whisper sound in the / snow—a comforting / swish, swish, swish.” En route, the vehicle gathers children, some of whom trumpet their excitement from a front porch before hopping aboard. When their turn is over, the elders get a ride, laughing and talking, remembering their own childhood snow play, presented in a sequence of vignettes. Changes in light and perspective maintain interest, as do the patterns of the snowflakes and the starbursts glowing from streetlamps. The warm palette and bold designs of the papers used to depict fabric and floor planks contrast beautifully with the smooth coolness of the wintry landscape. Jenny is brown-skinned; the other characters are racially diverse. (This book was reviewed digitally.)
A quiet, deeply satisfying celebration of the turn of the year and the joy of community. (Picture book. 4-7)Pub Date: Nov. 8, 2022
ISBN: 978-1-5344-7355-3
Page Count: 40
Publisher: McElderry
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Alice Walstead ; illustrated by Andy Elkerton
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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