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JUSTICE RISING

ROBERT KENNEDY’S AMERICA IN BLACK AND WHITE

A sharp portrayal of the potential of the 1960s through the lens of RFK.

A distillation of the motivations and importance of Robert F. Kennedy’s life and legacy.

In this enterprising biography, University of South Carolina history professor Sullivan seeks to encapsulate the essence of Kennedy’s journey as an advocate for the oppressed and disadvantaged in America. In equal measure, she humanizes Kennedy and those around him by using precise, occasionally exhausting detail. Though some sections are dry, the accretion of historical moments lends enough of a novelistic air to the book to keep the pages turning. The impeccably researched text encompasses the entirety of Kennedy’s political career, with weight given to the transformation he underwent in terms of how he conceptualized racial oppression and poverty in the U.S. and abroad. Sullivan also carefully considers the specific methods Kennedy sought to implement to change the state of race relations and combat poverty in the U.S. In doing so, she effectively shows why Kennedy, who cared deeply about the plights of his fellow citizens, was beloved by millions. The author nicely balances cogent analyses of Kennedy’s large-scale policies—focused on, among other significant issues, poverty, desegregation, integration, and the Vietnam War—and the more personal nuances involved in his interactions with not just Americans, but also people in other nations around the world. Though the author relies heavily on quotations, it’s not burdensome. Rather than paraphrasing political arguments, Sullivan effectively conveys the message directly from the primary sources to readers. This approach also allows the author to portray the power of Kennedy’s speeches. In 1966, writes Sullivan, “Kennedy warned that ‘it would be a national disaster to permit resentment and fear to drive increasing numbers of white and black Americans into opposing camps of distrust and enmity.’ There was but one choice, he said: ‘to face our difficulties and strive to overcome them, or turn away, bringing repression, increasing human pain, and civil strife.’ ”

A sharp portrayal of the potential of the 1960s through the lens of RFK.

Pub Date: June 8, 2021

ISBN: 978-0-674-73745-7

Page Count: 576

Publisher: Belknap/Harvard Univ.

Review Posted Online: March 25, 2021

Kirkus Reviews Issue: April 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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