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REPORT FROM THE INTERIOR

Auster has long rendered life as something of a puzzle; here are some significant, illuminating pieces.

The interplay of memory, identity and the creative imagination informs this portrait of the artist as a young man, a memoir that the novelist’s avid readership will find particularly compelling.

Even by the standards of the distinctive literary stylist and his formal ingenuity, this is an unusual book. Auster introduces it as something of a companion piece to his previous Winter Journal (2012), as he compares the two: “It was one thing to write about your body, to catalogue the manifold knocks and pleasures experienced by your physical self, but exploring your mind as you remember it from childhood will no doubt be a more difficult task—perhaps an impossible one. Still, you feel compelled to give it a try.” While writing throughout in the second person, inviting readers inside his head, Auster has divided the book into four distinct and very different parts. The first is a childhood psychobiography, to the age of 12, recognizing the distortions and holes in memory while discovering the magic of literature, “the mystifying process by which a person can leap into a mind that is not his own.” The second consists of exhaustively detailed synopses of two movies that he saw in his midteens, The Incredible Shrinking Man (1957) and I Was a Fugitive from a Chain Gang (1932), noteworthy for the way such a formative experience “burns itself into your heart forever.” The third compiles college letters to his future (and now former) wife, the author/translator Lydia Davis, unearthed when she was compiling her archives—“you have lost contact with that person [he writes of his younger self], and as you listen to him speak on the page, you scarcely recognize him anymore.” The fourth is a scrapbook, not of the author and his family, but of images from the era that remain emblazoned on his consciousness.

Auster has long rendered life as something of a puzzle; here are some significant, illuminating pieces.

Pub Date: Nov. 19, 2013

ISBN: 978-0-8050-9857-0

Page Count: 272

Publisher: Henry Holt

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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