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SOCRATES

A MAN FOR OUR TIMES

Acclaimed historian and biographer Johnson (Humorists: From Hogarth to Noel Coward, 2010, etc.) offers a short celebration of the life and influence of the Athenian philosopher.

An unapologetic fan, the author faces, as do all who write of distant times, the insurmountable problem of uncertainty. Socrates wrote nothing we know of, so we must rely on the records and testimony of others—generally a risky business. Johnson argues that Plato’s dialogues are initially reliable, then less so as Plato became more fond of his own ideas. Johnson chides Plato repeatedly—even compares him with Victor Frankenstein—for putting into the mouth of Socrates words that more properly belonged in his own. At other times, the author resorts to phrases like “I suspect” and “I assume” to keep his argument flowing. Johnson highlights numerous Socratic principles, most notably the separation of the body and soul, Socrates’ devotion to the law (he would not attempt to escape it, even when it meant his own safety), the immorality of revenge, the need to educate women and the corrosive desire to possess things. He notes that Socrates dearly loved Athens and Athenians, enjoyed wandering the streets and engaging people of all sorts in discussions about the meaning of apparently ordinary things. Socrates knew that clarity was essential in human discourse. Johnson also notes that Socrates’ use of humor and irony were certain to be lost on many—and were techniques disastrous to his own defense at his trial. The author also points out similarities between ancient Athens and today—e.g., our love/hate relationships with celebrities. A succinct, useful exploration of life in ancient Athens and of the great philosopher’s essential beliefs.

 

Pub Date: Oct. 17, 2011

ISBN: 978-0-670-02303-5

Page Count: 240

Publisher: Viking

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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