An entertaining suspenser with slyly funny writing, captivating visuals, and a cool, spunky hero.
A woman solves crimes via psychic visions of strings connecting murderers to their victims in Tobin’s fizzy graphic novel.
The story unfolds in an unusually grungy Seattle beset by so many killings by gangs and street crazies that the police turn to clairvoyants for help. Stepping up is Yoon-Sook Namgung, a 20-something woman resplendent in long pink hair and heels who has somehow been able to see black strings coiling between the bodies of murder victims and their killers ever since her own parents were assassinated. (She also sees blue strings linking people who have had sex with each other, which furnishes many awkward revelations and blackmail opportunities.) Yoon-Sook teams up with Detective Lucas Mayfield, who takes her to the cold case morgue; there, she sees a black string trailing into the distance. It leads them to a lunatic who hurls a French bulldog at Yoon-Sook and then blows himself up with a dynamite vest. Repairing to her apartment with the orphaned bulldog, Yoon-Sook sees a black string attached to herself, suggesting that she is soon to be murdered—or commit murder herself. Yoon-Sook and Lucas start sleuthing, assisted by Litty Mondo, a porn star who hires Yoon-Sook to find out who murdered her dog. Tobin populates this straightforward paranormal private-eye yarn with lots of quirky characters, gonzo scenes with comic-book sound effects (“THAKK…unhh!” is the sound of a porn star slugging her sleazy manager with a potted plant), and hilariously off-the-wall dialogue. (“The toilet didn’t work. Sager just liked sitting on toilets. They calmed him down.”) Illustrator Olivares and colorist Colella create a slightly noirish but richly colored world with lurid highlights, muscular megaliths, and goggle-eyed banshees with gaping, sharklike maws. The result is a page-turner with plenty of hang-dog wit and pictorial pizzazz.
An entertaining suspenser with slyly funny writing, captivating visuals, and a cool, spunky hero.Pub Date: May 20, 2025
ISBN: 9781960578839
Page Count: 120
Publisher: Mad Cave Studios
Review Posted Online: March 19, 2025
Kirkus Reviews Issue: May 1, 2025
Review Program: Kirkus Indie
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...
A bland, uninspired graphic adaptation of the Bard’s renowned love story.
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).Pub Date: May 10, 2011
ISBN: 978-93-80028-58-3
Page Count: 80
Publisher: Campfire
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
