by Paul Yee ; illustrated by Shaoli Wang ‧ RELEASE DATE: June 15, 2024
A whimsical folktale filled with music and magic.
Three Chinese sisters outsmart Emperor Wang with the power of music.
Emperor Wang is infamous for his endless wars. His advisers summon court musicians Lady Li and Master Yen, whose singing and erhu playing often soothes him. The couple’s young daughters are also gifted musicians, and Emperor Wang demands that they come, too. Lady Li and Master Yen are initially reluctant, but they give in to his threats. Master Yen offers each daughter advice: “Stay true to your music, and you will see its power and its magic.” First Sister arrives accompanied by her mother and plays her flute. When Emperor Wang blocks their exit, First Sister plays again, and the palace paintings of birds come alive; amid the confusion, First Sister flees. Second Daughter comes next to play her gu zheng. When Emperor Wang stops her, her music brings to life images of waterfalls, and she escapes. By the time Third Sister arrives, Emperor Wang has stripped the walls of art, but she nevertheless finds a creative solution as she plays her pipa. Pursued by Emperor Wang, the sisters all play their music, summoning mythological creatures and bringing the tale to a fantastical climax that brings peace to the kingdom. The straightforward narrative is accompanied by detailed line drawings with bold colors set against white backdrops. Characters have exaggerated facial expressions; Emperor Wang’s features are especially distorted to emphasize his grotesque nature.
A whimsical folktale filled with music and magic. (Picture book. 6-9)Pub Date: June 15, 2024
ISBN: 9781990598265
Page Count: 32
Publisher: Tradewind Books
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
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by Paul Yee ; illustrated by Shaoli Wang
by David Goodner ; illustrated by Andrea Tsurumi ‧ RELEASE DATE: Oct. 27, 2020
A story of friendship that is both lively and lovely
Two friends embark upon a high-seas adventure.
Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)
A story of friendship that is both lively and lovely (Fantasy. 6-8)Pub Date: Oct. 27, 2020
ISBN: 978-1-368-02577-5
Page Count: 80
Publisher: Little, Brown
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: July 15, 2020
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by David Goodner ; illustrated by Andrea Tsurumi
by David Goodner ; illustrated by Andrea Tsurumi
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BOOK REVIEW
by David Goodner ; illustrated by Andrea Tsurumi
BOOK REVIEW
by David Goodner ; illustrated by Andrea Tsurumi
BOOK REVIEW
by David Goodner ; illustrated by Louis Thomas
by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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