The result is a reading experience that carries the impact of an Ingmar Bergman film based on a novel by Thomas Mann. It’s...
The ordeals and sacrifices of two remarkable women are analyzed with penetrating intensity in the Swedish master’s latest.
Following the method employed throughout his oeuvre, and with particular success in his recent fictions The Royal Physician’s Visit (2001) and Lewi’s Journey (2005), Enquist connects his own history and sensibility to the stories of Nobel Prize–winning physicist Marie Curie and her ill-fated research assistant (and eventual soulmate), Blanche Wittman. Those stories are told in three “Books” composed by Blanche after her lethal exposure to radiation, both during Mme. Curie’s experiments and in earlier years when she was a patient treated for “hysteria” by eminent neurologist J.M. Charcot, and also his assistant, then his adulterous lover. Moving backward and forward in time, Enquist presents Blanche’s ruminations on her treatment at Saltpêtriére Hospital (a filthy, overcrowded “black castle in the middle of Paris”), where she became a de facto emblem of the “madness” of love; Polish-born Marie Curie’s self-destructive affair with a married scientist, which evoked outraged anti-Semitic protests and drove her from France; and the sad final years of both women, when Marie became a disgraced outsider in the land where she had earned unprecedented honors, and Blanche a (still sentient, forever impassioned) torso “living” in a wooden cart. In a masterly display of concision, Enquist packs an imposing enormity of historical and scientific information into a searching exploration of the phenomenon of love; a complex meditation on the riddles that challenge his characters’ ingenuity—how do we manage to love, given the fragility and impermanence of the body, and how can human emotion and experience be measured and quantified, much less comprehended?
The result is a reading experience that carries the impact of an Ingmar Bergman film based on a novel by Thomas Mann. It’s astonishing, and it’s unforgettable.Pub Date: March 23, 2006
ISBN: 1-58567-668-3
Page Count: 224
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2005
BOOK REVIEW
BOOK REVIEW
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A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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