A melancholy read despite a glimmer of hope toward the end.
A Norwegian writer finds himself struggling to get his life together after the double whammy of his parents' and brothers' deaths in a tragic ship fire and the end of his 15-year marriage a year later.
Arvid Jansen is a recurring character and something of an alter ego in Pettersen’s fiction. The author's parents and brother died in an actual ferry disaster in 1990; his novel In The Wake (2002) concentrates on Arvid’s relationship with his father and his guilt and grief surrounding the deaths. In the newer novel, the focus is largely on the aftermath of Arvid’s divorce from his wife, Turid, and his longing for his three young daughters, whom he now rarely sees for reasons that may be of his own making. Arvid is 43 in In The Wake, and the final section of the new novel finds him at the same age, but for most of the (in)action, which takes place over the course of one Sunday a year after Turid and the girls left, he's looking back at himself at 38. (The missing years between 38 and 43 might be another novel.) Turid calls him early that morning. Stranded and desperate, she asks for his help getting home because “I have no one else,” a statement he disbelieves. Whether his marriage’s failure was his fault remains unclear, but while dutifully helping Turid get home, and later picking up his daughters—left with a babysitter he doesn’t trust—Arvid stews over his life, reexperiencing nonchronological bits and pieces of aimlessness and missed connections. Though he's published three books and received a grant to write his big factory novel, he currently spends most of his time picking up women at bars or roaming the countryside alone in his beloved Mazda, psychologically adrift; American readers may have more trouble following the physical geography of Norway he covers exhaustively than the depressed, self-absorbed, but beautifully articulated meanderings of his mind.
A melancholy read despite a glimmer of hope toward the end.Pub Date: Feb. 1, 2022
ISBN: 978-1-64445-075-8
Page Count: 304
Publisher: Graywolf
Review Posted Online: Nov. 16, 2021
Kirkus Reviews Issue: Dec. 1, 2021
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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