Ackroyd's biography of William Blake represents an achievement of composite method fully in the poet's own spirit—it's a work so sensitive to its subject, it seems to have conjured him from the beyond. Scholar, workaday artisan, mystic, and social critic, Blake (17571827) excelled at poetry, engraving, and painting. Yet rather than spread his multifacteed genius through diverse pursuits, Blake concentrated it into his homemade books—famous now, but noted in his day only as oddities. For these sui generis productions, Blake printed pages where script and illustration flow side by side: now commenting on this world, now offering visions of others. Novelist and biographer Ackroyd (The Trial of Elizabeth Cree, 1995; Dickens, 1991; etc.) again shows himself to be an adept literary critic and historian: His explications of many of Blake's works, from widely known lyrics like ``The Tyger'' to hermetic epics like ``The Four Zoas,'' unfold into detailed panoramas of England as Blake knew it. He captures the difficulties that the radical Blake faced in squaring his art training at the prestigious Royal Academy with his humble artisanal background. The blunt, ``gothic,'' outline forms of Raphael and DÅrer, out of fashion at the time, provided Blake with an alternative tradition with which to affiliate himself; such contemporaries as John Flaxman and Henry Fuseli provided moral support. Above all, Ackroyd stresses Blake's intimate relation to his London environs and to the crises of war and industrialization that beset Britain during his life. While he argues that Blake was often caught up in hallucinatory waking visions, Ackroyd weighs against any diagnosis of mental illness the justice of Blake's claim that he was gifted to see through and beyond the insane upheavals of his times. Not the least part of Ackroyd's accomplishment is to have limited himself to 416 pages—enough, and (to paraphrase Blake), assuredly not too much. (16 pages b&w illustrations, 24 pages color illustrations, 73 text illustrations, not seen) (Book-of-the-Month Club selection)
Pub Date: April 15, 1996
ISBN: 0-679-40967-X
Page Count: 416
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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