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CHLOE

Beautifully benign illustrations conjure powerful familial feelings

Who wouldn’t want to put on a monster show in a big, cardboard box or pop bubble wrap at rapid-fire speed?

After a new television ruins “family fun time,” Chloe, the middle bunny in a brood of 21, tries to pull her brothers and sisters from its glowing grip. Colored-ink drawings hover on lush, creamy paper, offering delightfully dreamy details: the bunnies’ fur, pert mouths and dewy eyes, their clothes’ stripes and patterns, their bodies clustered together around the house. On one dizzying double-page spread, Chloe levitates at the epicenter of the domestic swirl, her family circling swiftly around her. McCarty says simply and directly to middle children everywhere, “Chloe was in the middle.” The narrative maintains perfect pacing throughout, speeding up with long sentences and slowing down with abbreviated lines that allow readers to linger on the soft, mesmerizing artwork (so many bunnies!). A bustling dinner scene shows the family nibbling on every kind of spring veggie; readers’ eyes roam from one end of the table to the other and back again, studying each whiskered face and plate. Fashion (eyeglasses, dresses, shirts) and minute tweaks in expression individualize each rabbit, while Chloe always manages to shine. McCarty captures the tensile ties strung among siblings, parents, genders and ages in every household.

Beautifully benign illustrations conjure powerful familial feelings . (Picture book. 3-6)

Pub Date: May 1, 2012

ISBN: 978-0-06-114291-8

Page Count: 40

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Feb. 28, 2012

Kirkus Reviews Issue: March 15, 2012

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  • New York Times Bestseller

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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