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AM I ALONE HERE?

NOTES ON LIVING TO READ AND READING TO LIVE

Refreshing, finely turned gems of wit and wisdom from an author who has asked his family to bury him with a “decent library.”

A collection of literary tapas.

Novelist and short story writer Orner (Creative Writing/San Francisco State Univ.; Last Car Over the Sagamore Bridge, 2013, etc.) combines short, reflective essays about literature with personal memories. The pieces (some previously published) are literary hybrids, and the book becomes a series of “unlearned meditations that stumbles into memoir.” The big names (Kafka, Chekhov, Melville, Cheever, Bellow, etc.) are well-represented, but so too are those outside of the canon—e.g., Lyonel Trouillot, Álvaro Mutis, Bohumil Hrabal and his “lightning strike of a novel,” Too Loud a Solitude. In the first piece, ostensibly about how Orner likes to read, reflect, look around, and just listen at San Francisco’s General Hospital’s cafeteria, the author transitions to Chekhov’s “tender and sorrowful” story “The Bishop,” which he admires for how the author (a doctor) lovingly employs details. He ends thinking about his dead grandmother. In a cabin in Bolinas, California, Orner thinks about his dead father and reads Breece D’J Pancake’s story “First Day of Winter,” which “gets [him] every time. The way a story about characters, nonexistent people, pushes us back to our own.” Orner confesses that John Edgar Wideman’s story “Welcome” is the “saddest story” he has ever read “by a wide margin.” Again, thinking about his father, he asks, what is the best Father’s Day novel? “Hands down The Brothers Karamazov.” But Bernard Malamud’s “My Son the Murderer” is the best story. While it takes Dostoevsky 700 pages “to get to the bottom of fathers and sons,” Malamud “can name that tune in under 8.” At 22, he accidentally fell out of a canoe but saved the book he was reading—the indelible and “generous” To the Lighthouse—and then anxiously waited for it to dry in the sun so he could finish it. Book lovers will devour these genuine, personal tales about literature and reading.

Refreshing, finely turned gems of wit and wisdom from an author who has asked his family to bury him with a “decent library.”

Pub Date: Nov. 1, 2016

ISBN: 978-1-936787-25-8

Page Count: 336

Publisher: Catapult

Review Posted Online: Aug. 20, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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