A loose string of events that shows little evidence of much emotional investment, on Jungk’s part, in his characters,...
German-American novelist (The Perfect American, p. 244) and biographer (Franz Werfel, 1990) Jungk offers a disjointed tale about a mathematician by the name of Tigor, who, in troubled midlife, drifts on a series of fruitless, ill-connected adventures.
Having abandoned a mathematics conference in Trieste, and his teaching position at the University of Pennsylvania, Tigor ends up in the wilderness (“the plant room”), where he wanders harmlessly before resurfacing in the town of Belluno and being arrested for vagrancy. Dreamy and garrulous, Tigor makes friends wherever he goes, and newly met strangers happily tolerate his memories of growing up as the son of a famous opera singer. Tigor has a love for the theater and ends up in Paris to work as a rigger at the Odeon, while living at the home of his doting granduncle, Arnold Bohm. Tigor endures the riotous staging of Treplyov’s Masha and the insufferable preening of stars. But he’s no nearer to offering a justification for his “dereliction of duty toward his students.” Decamping to Moscow, he joins another mathematics professor and goes to Yerevan, capital of Armenia, where he becomes enthralled by a group of nationalists convinced that the remains of Noah’s Ark are still unclaimed on Mount Ararat. As a mathematician concerned with proving a hypothesis, Tigor (whose name seems to derive from a legendary Armenian king, Tigran II) is chosen for the mission of unearthing the remnants, thus proving the veracity of the Divine Books. Despite his misgivings, and after a spell teaching English to the children of Yerevan, he undertakes the task, and, in a bizarre close, he ascends the mountain without proper climbing gear or knowledge of the ongoing Kurdish civil war.
A loose string of events that shows little evidence of much emotional investment, on Jungk’s part, in his characters, providing the reader scant chance to warm up to his oddly named hero. The result: a listless, cold-eyed, quixotic romance that seems to suffer in translation.Pub Date: Oct. 1, 2004
ISBN: 1-59051-118-2
Page Count: 220
Publisher: Handsel/Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2004
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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