A collection of pieces infused with abundant wisdom, provocative notions, and illuminating insights.
Reflections both practical and philosophical on the craft and purview of tale telling, from the creator of the His Dark Materials trilogy.
Rather than dish out amusing quotes from fan letters or standard-issue author talk, Pullman (La Belle Sauvage, 2017, etc.) offers meaty but always lucidly argued ruminations on the nature of story. He explores folktales and why they endure and matter, parallels and differences between literary and visual arts, and, a central theme in HDM (which is not, he insists, fantasy but “a work of stark realism,” daemons and armored bears notwithstanding), the profound conflicts between the reductive, authoritarian Christian “Kingdom” and the freer, more ideologically spacious “Republic of Heaven.” Amid animated tributes to Art Spiegelman’s Maus and Robert Burton’s The Anatomy of Melancholy, Milton, Blake, the “vast original energy” of Dickens, and others, Pullman draws from the language of subatomic physics to discourse on the “Fundamental Particles of Narrative,” each carrying a “metaphorical charge,” and how, for writers, each event in a new story creates a “phase space” within which all subsequent ones lurk. This is all saved from earnest or recondite lit-crit not only by the author’s evident intelligence and respect for his readers, but also a gift for dandy one-liners: “If you want to write something perfect, go for a haiku”; “No man is a hero to his novelist”; “What you think ‘Little Red Riding Hood’ is about when you’re six is not what you think it’s about when you’re forty”; “I strongly approve of original sin.” Published or presented between 1997 and 2014 and arranged in loose thematic order, these articles, talks, and introductory essays consistently demonstrate that Pullman—for all that his gaze is avowedly white and male—is as fine a thinker as he is a storyteller. It’s almost not fair.
A collection of pieces infused with abundant wisdom, provocative notions, and illuminating insights.Pub Date: Sept. 18, 2018
ISBN: 978-0-525-52117-4
Page Count: 480
Publisher: Knopf
Review Posted Online: May 8, 2018
Kirkus Reviews Issue: June 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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