As he did in The Lady and the Monk (1991) and Video Night in Kathmandu (1988), Iyer again turns his attention to the quirky and the quixotic, this time in what he calls ``the et ceteras in the list of nations.'' Included in these ``lonely places'' are Iceland, Paraguay, Vietnam, Argentina, and Australia. Iyer confesses early on to a lifelong attraction to regions that in ``their very remoteness'' take on an ``air of haunted glamour.'' He doesn't necessarily mean geographically distant, though Bhutan and Patagonia are among his destinations. Rather, it's the psychological and economic isolation of these areas- -occasioned by, for example, lack of tourism and international investment—that intrigues the author. Iyer depicts with wonder and affection the varied idiosyncracies he encounters, studding his narrative with colorful, off-beat facts—e.g., that, by law, one evening each year the members of the Icelandic Parliament must speak in rhyme. Throughout, Iyer displays a winning, self- deprecatory humor. When a Cuban doctor asks him to touch his nose with his eyes closed, the author jokes, ``Luckily, it is a big target: I pass with flying colors.'' Iyer's also aware of the dichotomies that exist within the countries he visits. Vietnam, despite decades of war, is ``one of the gentlest and most peaceful countries I have ever seen.'' His comments on that nation's eagerness to enter the world economic market are revelatory and unexpected: ``It is impossible not to feel that Saigon, with its Ca-Li-Pho-Nia Ham-Bu-Go stores and its karaoke bars, its Chiclets and water ski clubs, its private Mercedeses and hustlers and `Atlanta Placons' baseball caps—Saigon, with its rogue economy—is the image of the country's future.'' Economically written yet immensely resonant: a funny, stimulating, eminently humane work, charming and instructive.
Pub Date: May 4, 1993
ISBN: 0-679-42264-1
Page Count: 208
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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