With keen observation and beautiful language, Iyer shows us the essential truths of places, people, and ideas.
An acclaimed travel writer sets out on a journey to an elusive destination: paradise.
Iyer has written many beloved books on his expeditions around the world, and he has a gift for capturing the texture and cadence of a place and its people. His latest, which he sees as something of a capstone to his life’s work, is more than a travel memoir. He explores the idea of paradise held in different cultures and religions, making the text a spiritual journey rather than an itinerary, a pilgrimage to a semi-imagined place “where so many of our possibilities lie.” The author begins in Iran, a country caught between the ambitions of its theocratic rulers to return to an earlier time and the desires of its people to build a faith and society suitable for the 21st century. Not for the only time in this book, Iyer finds that he has to discard his preconceptions if he is to make sense of the reality he finds. The search for paradise often intersects with real-world conflict, and the author was stunned by the ethnic violence that has torn apart the beautiful island of Sri Lanka. The irony is that the center of the island is an oasis of Buddhist calm, untouched by the ocean of warfare. In Jerusalem, Iyer discovered “a holy turbulence” of competing beliefs, but somehow people have learned to live with the chaos. Perhaps, then, heaven can only be found after death? His visit to Japanese shrines points that way, but Iyer finds the idea rather cold. He does not reach a definitive conclusion, but he begins to accept that the search for peace leads to a place within. “I decided that I would no longer seek out holy places in [a] city of temples,” he writes near the end. “I would just let life come to me in all its happy confusion and find the holiness in that.” Amen.
With keen observation and beautiful language, Iyer shows us the essential truths of places, people, and ideas.Pub Date: Jan. 10, 2023
ISBN: 978-0-593-42025-6
Page Count: 240
Publisher: Riverhead
Review Posted Online: Sept. 20, 2022
Kirkus Reviews Issue: Oct. 15, 2022
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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