This staggering gut punch of a novel shows that sometimes love looks like leaving.
In playwright Hudes’ stunning fiction debut, a mother’s letter to the daughter she left tells a profound story of love, loss, and the cost of liberation.
When her daughter Noelle’s principal reports that April Soto’s brilliant 10-year old “bludgeoned” a schoolmate, comparing her to a “runaway freight train” and mandating anger management for both mother and child, fiery rage breaks through April’s years of effortful containment. That night, she runs. Though it ignited her ire to admit it, April’s violence and her need to flee were generations in the making. She “loathed having a cause and effect, being a single-source tragedy,” but the “white hot” rage of the title—her “escape hatch” and her “battery pack”—was triggered at age 5. After that, April’s memories had been rife with “skin I yanked, bone I smashed, hair I ripped in stripy bouquets.” That incandescent veil shredded her peers’ gendered expectations: “Young buls thinking they had a monopoly on rage till they saw me buy Boardwalk and put up a hotel.” Forming the bulk of the novel, April relates these events in a book-length letter from mother to daughter to be read on Noelle’s 18th birthday. By then April had been gone for eight years. When she left, April had been a 26-year-old former teen mother, a golden child turned dropout raising a gifted young girl in a house she shared with her mother and abuela. Chronicling where April went next and why, the letter is an emotionally raw explanation, not an excuse. April is ruthlessly honest, divulging family secrets and breaking a cycle of shame and sweeping things under the carpet. In blunt yet vibrantly lyrical prose, Hudes reveals the good, the bad, and the profane from April’s brutally candid perspective—including how April left Noelle without notice or plan with her abuela and great-grandmother first for 10 disastrous days and then returned briefly only to leave her for good in the care of a father and stepmother she had never known to save them both. It’s a profound journey of the soul.
This staggering gut punch of a novel shows that sometimes love looks like leaving.Pub Date: Nov. 11, 2025
ISBN: 9780593732335
Page Count: 176
Publisher: One World/Random House
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
BOOK REVIEW
PERSPECTIVES
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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