A historical comic strip with ongoing relevance and plenty to laugh about.
An acerbic 6-year-old skewers societal foibles.
Mafalda, an Argentinian comic strip star from the 1960s, is a veteran of the cartoon scene, but she may not be entirely familiar to an English-language audience. Thankfully, this first entry in a planned five-volume series is poised to correct that. With its forthright, articulate, and frequently bickering cast of children, comparisons to Charles Schulz’s Peanuts are inevitable—though Mafalda’s quips and crises usually veer more toward the sociopolitical than the existential. Mafalda rails against Argentinian leadership, decries wars and social crises abroad, and stands as a staunch advocate for women’s rights, played in humorous contrast to her frequent antagonist, Susanita, a girl who carries around a baby doll and swoons over her unexamined dreams of being “a mommy.” Mafalda and her friends are depicted as distinctive, recognizably broad comic-strip personalities, with outsize heads, simplified expressions, and paper-white skin. Though the times and locale are obviously quite different, Mafalda’s English-language translation and reissue feels similar to that of Lat’s Kampung Boy. This cultural text provides a window into a specific milieu in a particular country’s history while also speaking to universal experiences and ever-pertinent questions of societal change and unrest.
A historical comic strip with ongoing relevance and plenty to laugh about. (Graphic fiction. 7-13)Pub Date: June 10, 2025
ISBN: 9781962770040
Page Count: 120
Publisher: Elsewhere Editions
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
PERSPECTIVES
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Fast-paced and plot-driven.
In his latest, prolific author Gratz takes on Hitler’s Olympic Games.
When 13-year-old American gymnast Evie Harris arrives in Berlin to compete in the 1936 Olympic Games, she has one goal: stardom. If she can bring home a gold medal like her friend, the famous equestrian-turned-Hollywood-star Mary Brooks, she might be able to lift her family out of their Dust Bowl poverty. But someone slips a strange note under Evie’s door, and soon she’s dodging Heinz Fischer, the Hitler Youth member assigned to host her, and meeting strangers who want to make use of her gymnastic skills—to rob a bank. As the games progress, Evie begins to see the moral issues behind their sparkling facade—the antisemitism and racism inherent in Nazi ideology and the way Hitler is using the competition to support and promote these beliefs. And she also agrees to rob the bank. Gratz goes big on the Mission Impossible–style heist, which takes center stage over the actual competitions, other than Jesse Owens’ famous long jump. A lengthy and detailed author’s note provides valuable historical context, including places where Gratz adapted the facts for storytelling purposes (although there’s no mention of the fact that before 1952, Olympic equestrian sports were limited to male military officers). With an emphasis on the plot, many of the characters feel defined primarily by how they’re suffering under the Nazis, such as the fictional diver Ursula Diop, who was involuntarily sterilized for being biracial.
Fast-paced and plot-driven. (Historical fiction. 9-12)Pub Date: Oct. 7, 2025
ISBN: 9781338736106
Page Count: 368
Publisher: Scholastic
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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