As Stacy writes of her own journal: “Nothing holy or profound found its way into those pages.”
Two African-American sisters plow their way through something approximating life.
At first, it seems that Rikki and Matt are the “All-American African-American Couple.” But Rikki has storms in her head. Fortunately, Rikki’s sister Stacy (newcomer Hall’s narrator) was charged long ago with protecting her sister. Flashback to childhood, when Stacy is more preoccupied with Frogger and Asteroids than her role as guardian angel. When Stacy’s parents punish her, they forbid her to read (maybe not a bad idea, given her library), and anyway the most important thing to Stacy is that people look at her when she walks through the quad at school. But Rikki is really the more striking of the two, and she’s frequented by “rich, vanilla, Mayflower white[s],” but that’s okay, because Rikki is “Black, but not too . . . Black.” Stacy can’t follow her sister everywhere, so how can she protect her from the storms? Somehow, though, there’s plenty of time for the two to fight over boyfriends and lose their virginity—and it’s a breakup with a boyfriend that triggers Rikki’s first suicide attempt. As a result of it, Daddy decides to come home twice a week before midnight, and Mommy finally includes all the food groups in meals. Other attempts at righting things include exorcism and rebaptism. When Daddy dies—he was a cheater, don’t you know—Rikki is convinced it’s because she abandoned God. Eventually, Stacy follows Rikki to college, where she “drew to fornication like Texans to a barbecue.” Flash forward to Matt’s reappearance: he and Rikki are far from an All-American couple of any kind, and what happened to helping with the storms? Stacy’s hot for Matt, too! Before long, Matt’s a cheater like Daddy, trying to have Ricky committed. The police get involved, Matt disappears, and bodies appear . . . .
As Stacy writes of her own journal: “Nothing holy or profound found its way into those pages.”Pub Date: Sept. 1, 2002
ISBN: 0-7432-2616-X
Page Count: 256
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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