by Rachel Montez Minor ; illustrated by Annie Won ‧ RELEASE DATE: Nov. 9, 2021
Warm and bright.
A lyrical ode to the children.
The speaker remains unidentified in second-person text, which addresses three children in turn as “you” while also implying child readers. Soft-focus illustrations lend specificity by placing each child in the context of family and interests. First is a child of color in a family that appears to be composed of an Asian father, White mother, Asian grandmother, and biracial younger sibling. The narrator assures the child that “You are like the sun… / rising every day / with your energy and light.” The illustrations depict the child in a bright yellow dress, singing and dancing for the family and then taking the stage before a crowd while yellow confetti falls from the sky and a white dove swoops overhead. Next is a blond, White child who is “like the moon… / sometimes full and big, / sometimes new and small.” This child is depicted as an animal lover doting on a family of kittens they find in a box and bring home to parents and two siblings, all of whom present as White. Finally, a Black-presenting child is likened to “the stars in the night sky, / lighting the way for all to see— / even on their darkest night.” This child wears aviator goggles and plays with a toy airplane as mother and father, both also Black, encourage their offspring’s interest by gazing at the sky as a family before the child takes flight.(This book was reviewed digitally.)
Warm and bright. (Picture book. 2-5)Pub Date: Nov. 9, 2021
ISBN: 978-0-593-30937-7
Page Count: 32
Publisher: Crown
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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More by Rachel Montez Minor
BOOK REVIEW
by Rachel Montez Minor ; illustrated by Mariyah Rahman
by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: May 1, 2018
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Tom Percival ; illustrated by Tom Percival
by Tom Percival ; illustrated by Tom Percival
by Tom Percival ; illustrated by Tom Percival
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by Tom Percival ; illustrated by Tom Percival
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by Tom Percival ; illustrated by Tom Percival
by Paul Schmid ; illustrated by Paul Schmid ‧ RELEASE DATE: July 1, 2014
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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More by Michelle Sinclair Colman
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by Michelle Sinclair Colman ; illustrated by Paul Schmid
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by Michelle Sinclair Colman ; illustrated by Paul Schmid
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by Laurie Ann Thompson ; illustrated by Paul Schmid
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