An engrossing exploration of a hard but ultimately exhilarating trek toward love and commitment.
A member of the Church of Jesus Christ of Latter-day Saints confronts her misgivings about marriage on her globe-trotting honeymoon in this soulful debut memoir.
Rueckert writes of feeling a conflict between her church’s characterization of marriage and motherhood as a woman’s highest calling and her own desire to teach, write, and see the world. Compounding her anxiety were the example of her parents’ divorce and a giddy college romance that ended, leaving her devastated. Then she met Austin, a member of her faith who was supportive of her career aspirations; she married him in 2014, when she was 25, and the two embarked on a monthslong tour through South America, Asia, and Europe. The trip threw them into trying circumstances as they weathered squalid hostels, border-crossing snafus, money issues, and even an attack by a pack of wild dogs in Peru. Their accommodations to each other were also difficult, as Rueckert’s cautious, fretful temperament chafed against Austin’s adventurous, impulsive personality. Along the way, the author surveyed the marital wisdom of everybody from the Karen people of Thailand to her Hindu acquaintances in Bangalore. The journey culminated in a grueling 500-mile pilgrimage to Santiago de Compostela that also featured warm camaraderie with other pilgrims. Intertwined with these narratives are the author’s recollections of her family—including her fraught relationship with her mother—and the courtship culture of her church. Over the course of the book, Rueckert’s reminiscences present readers with an evocative travelogue and a remarkably sensitive and insightful portrait of the difficulties of modern marriage and the compromises that one makes to feel both autonomy and connection. Her scenes of marital discord, in particular, crackle with barely restrained emotion: “We ate in perfect silence. I stared at the table….‘You don’t inspire me anymore,’ I said, the words reverberating like a bomb. I waited a heartbeat, maybe two. ‘I’m not happy.’ ” It’s a sometimes-harsh, unsparing account of a rocky beginning, but Rueckert’s grappling with uncertainty yields courage and a luminous sense of hope.
An engrossing exploration of a hard but ultimately exhilarating trek toward love and commitment.Pub Date: Nov. 15, 2022
ISBN: 978-1-948218-63-4
Page Count: 344
Publisher: By Common Consent Press
Review Posted Online: Sept. 30, 2022
Kirkus Reviews Issue: Dec. 1, 2022
Review Program: Kirkus Indie
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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