Winn exudes the soul of a poet and the grit of a survivor.
Over mountain and moor, nourished and restored by wilderness.
Eight years after Moth Winn was diagnosed with a neurodegenerative disorder, he and his wife, Raynor, set out on a valedictory walk of epic length: a four-month, 1,000-mile trek from the Scottish Highlands back to their home in southwest England. Though they embarked during the height of the pandemic, they were encouraged by the possibility that intense physical exertion could work its magic and forestall the worsening of his condition. This affecting chronicle continues the narrative of Raynor’s previous two books, The Salt Path and The Wild Silence, with the customary observations on environmental degradation and human shortsightedness. The text is also an engaging travelogue and a powerful evocation of place and personality, rugged landscapes and distinctive cultures. It may be a cliché to say this book is inspiring, yet it is, and it’s every bit as much about the Winns’ inner lives as their adventure. The narrative is so vividly drawn and emotionally resonant that most readers will come to feel like one of the family, sharing their pain and uncertainty and eventual triumph. Above all, there is the strength and durability of their marriage, which has weathered homelessness as well as illness. If, occasionally, her otherwise admirable ecological awareness skirts the precipice of sermonizing, it can be forgiven, so fundamental is her devotion to the wild and belief in its healing powers. One’s admiration for the Winns runs so deep it seems churlish to say her account may strain credulity here and there, but readers will give her the benefit of the doubt. This is an unforgettable story about fragility girded by resolve and the courage to keep going, even if it’s just that one more step, and to hold fast to hope.
Winn exudes the soul of a poet and the grit of a survivor.Pub Date: Sept. 5, 2023
ISBN: 9781639364930
Page Count: 320
Publisher: Pegasus
Review Posted Online: May 3, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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