by Raynor Winn ‧ RELEASE DATE: March 5, 2019
Like the Winns, one feels “salted” by the experience, however vicariously, drawn to the edge in defiance of fate and in...
Debut author Winn narrates a moving memoir of identities lost and found along England’s wind-swept South West Coast Path.
Having lost their farm and livelihood through a judicial misstep, and with her husband, Moth, diagnosed with a terminal illness only days before, a comfortable existence was cruelly whisked away. With few options and even less money, the couple determined to walk and camp the entire 630-mile stretch of the path, from Minehead in the north through Poole on the English Channel, not knowing how far a pair of 50-somethings not in the best of shape might reach. Many people’s uncharitable reactions to their homeless state—one would think they were lepers—did not help matters, though those attitudes were often balanced by unexpected gestures of generosity. Along the way, their strength faltered and was regained. The unbearable became bearable, and despair gave way to resolve. The path became home and, more, a godsend. “Life is now,” writes the author, “this minute. It's all we have. It's all we need.” The saga opens with a tinge of melodrama (understandably), and Winn displays a mercurial prose style that takes a while to settle down and achieve simplicity and clarity of observation. The author’s descriptive passages show a keen appreciation for coastal ecologies and the enchantment of moments in the wild. If some vignettes strain credulity, readers will quickly forget as they come to genuinely admire the couple’s fortitude and resiliency. The book is not without humor or healthy portions of irony and self-doubt. Throughout, readers are immersed in a grueling and transformative adventure.
Like the Winns, one feels “salted” by the experience, however vicariously, drawn to the edge in defiance of fate and in search of a new life. They found it as well as a measure of acceptance, and their story is indelibly told.Pub Date: March 5, 2019
ISBN: 978-0-14-313411-4
Page Count: 288
Publisher: Penguin
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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SEEN & HEARD
SEEN & HEARD
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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