by Ricardo Chávez Castañeda ; illustrated by Alejandro Magallanes ; translated by Lawrence Schimel ‧ RELEASE DATE: Jan. 30, 2024
Unforgettable.
A boy attempts to rewrite the vicious history of violence toward children.
In this innovative work by noted Mexican creators that’s translated from Spanish, a boy who’s read “many tales of terror—about monsters, the dead, ghosts, haunted houses” is drawn to secretly read the horror story his father is writing. He encounters passages that detail shocking, murderous brutality by adults toward children. The unnamed narrator at first wonders why his father would invent such tales, but newspaper clippings Papá has saved describe acts of unspeakable cruelty from history: “I think now that I would prefer it if they were his own, if he had invented them, if these horror stories only ever happened inside his book.” Mamá has a special letter she “unfolds from time to time to read until she cries.” At school, the teacher describes the murder of the Holy Innocents, reassuring the class, “Don’t worry, those things happened in the past.” But our narrator, all too aware that history repeats itself, cries out, “Where was history when the children were murdered?” Later, seizing upon a solution, he adds “not” throughout his father’s notebook: “These men…did not seize any infant they found with their two bare hands. Then, with those same naked hands, they did not put an end to them.” The story propels readers inexorably toward its shocking climax. Striking black-and-white illustrations in a variety of styles, including photography and graphic design, frequently incorporate lines of text into the art and heighten the emotional impact.
Unforgettable. (Illustrated fiction. 14-adult)Pub Date: Jan. 30, 2024
ISBN: 9781592703623
Page Count: 148
Publisher: Unruly
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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PERSPECTIVES
PERSPECTIVES
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by CG Drews ‧ RELEASE DATE: Oct. 28, 2025
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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