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LIONHEART

Spellbinding if flawed.

A boy and a lion go on a journey to conquer fear.

In the bedroom, a shadow makes a menacing sound. “Richard hug[s] his Lionheart,” a small stuffed lion with a tidy yarn mane and a tag (emphasizing its toyness). But danger threatens, so Richard takes off. Clutching his Lionheart, he runs across a stone bridge, past a town, and into a field. “All around him the grass grew thick, and turned into sticks, and the sticks grew tall, and turned into trees.” That sequence pays loving homage to Sendak’s Where the Wild Things Are, as do Richard’s pajamas-cum–lion-suit, with tail and leonine hood. Richard’s journey is vast: there are animals of all sorts, toadstools, a magical jungle, tall pointed rocks, a waterfall, and a lost city. It looks like Chichén Itzá, unfortunately relying on the trope of including an indigenous creation to enrich a white child’s adventure. Collingridge’s magnificent paintings employ realism, abstraction, and shifting scale. Grand landscapes harmonize with small, supplementary black-and-white drawings. With posture, texture, and sumptuous, glowing colors, Collingridge maintains a delicate balance between high drama and comfort, risk and safety. Richard loses his Lionheart, then meets him along the way as a full-grown, fully alive lion—enormous and powerful but only a companion and ally rather than savior—when they finally, unforgettably confront the monster.

Spellbinding if flawed. (Picture book. 3-8)

Pub Date: Feb. 23, 2016

ISBN: 978-0-545-83321-9

Page Count: 32

Publisher: David Fickling/Scholastic

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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