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I SEE YOU SEE

A warm, quiet ode to imagination.

Siblings dream up extraordinary sights while walking their dog.

When Mom asks Maisie to walk their dog, Tinker, sibling Jonah—who uses a manual wheelchair and wears leg braces—asks to come along. So, the text rhythmically relates, “dog pulling, / Maisie pushing, / they set off.” But it’s not long before the rambunctious pup runs off after a cat. As Maisie wrangles Tinker, Jonah points out some unexpected sights. A tree becomes a “tree of cats” as feline faces take shape in the leaves; puffy orange flowers become a “popsicle garden.” The typeface jangles with a “bong, bong, bong” as Jonah pulls the dangling leaves of a “bell machine” tree, and it fades as they enter an “echo-y-y-y-y-y” tunnel of hanging laundry. The frazzled Maisie slowly joins in Jonah’s play, pointing out dinosaur-shaped clouds walking on “stilts” made of pointy trees. As they return to their starting point, Jonah wonders what Tinker sees. As Jonah blows on a just-picked bouquet, Maisie replies, “Oh, the goldfish… / …the goldfish snowing,” and they laugh beneath an orange flurry of fish and flower petals. Reality and imagination subtly intertwine in Barton’s bright, soft-edged illustrations. The children’s smiling faces are inviting, and Tinker’s mischievous antics add a humorous note. Though simple, the plot feels comfortably lived in; Maisie and Jonah’s interactions are delightfully ordinary, and refreshingly, Jonah’s disability requires no explanation. Maisie and Jonah present White. (This book was reviewed digitally.)

A warm, quiet ode to imagination. (Picture book. 4-6)

Pub Date: Feb. 16, 2021

ISBN: 978-1-4814-9200-3

Page Count: 32

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: Dec. 14, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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