Next book

THE EVERYTHING BOX

A supernatural comic caper that reads like one of the late Donald Westlake’s Dortmunder novels sprinkled with some fairy...

A thief just out of prison is recruited to steal a powerful magical talisman.

Kadrey (Killing Pretty, 2015, etc.) takes a break from his popular Sandman Slim series to offer a stand-alone horror-comedy that pulls heavily from all manner of genres and throws in everything but the kitchen sink. The novel opens 4,000 years ago on an angel, Qaphsiel, who’s normally in charge of office supplies for the heavenly host but is on a quick mission to Earth when he loses the titular MacGuffin. Back in the present day, Charlie “Coop” Cooper is using his light-fingered talents and a talkative poltergeist to steal some documents when he’s busted by the LAPD’s Criminal Thaumaturgy squad. After a quick stint in the pokey, Coop hooks back up with his buddy Morty Ramsey, who’s been approached with a pricey breaking and entering job that could net them hundreds of thousands of dollars. An enigmatic client named Mr. Babylon wants to hire Coop to steal a family heirloom from a rival, but he has his doubts about Coop’s abilities. “I have something you don’t, Mr. Babylon,” Coop explains. “Another ability. A rare one. I’m immune to magic. Conjury, enchantments, fascinations, mesmerisms, mind reading, and ladies sawed in half. The whole bit.” From here, the book explodes into an overstuffed heist movie complete with a band of duplicitous cronies, two bickering agents from the government's Department of Peculiar Science, a hard-traveling murderer cut from the same cloth as Cormac McCarthy’s Anton Chigurh, and a pair of inept cults that are mostly around for comic relief. It’s all a bit much to take in, and Kadrey offers a lot of stylistic similarities to Gaiman and Pratchett’s superior Good Omens (2009). Nevertheless, there’s definitely an audience for this kind of madcap supernatural comedy, and it’s likely to find those readers pretty handily.

A supernatural comic caper that reads like one of the late Donald Westlake’s Dortmunder novels sprinkled with some fairy dust.

Pub Date: April 19, 2016

ISBN: 978-0-06-238954-1

Page Count: 384

Publisher: Harper Voyager

Review Posted Online: Feb. 3, 2016

Kirkus Reviews Issue: Feb. 15, 2016

Next book

THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

Next book

A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Close Quickview